skip to main content
Brighton & Hove Museums Search the Brighton & Hove Museums web site
The Royal Pavilion, Libraries & Museums Collections
Search the online collection
Advanced Search | Search Help

Exhibitions : Fashion & Fancy Dress: The Messel Family Dress Collection 1865-2005

Collections Home
navigation symbol The Messel Family Dress Collection - An Introduction
navigation symbol The Exhibition at Brighton Museum & Art Gallery
navigation symbol The Exhibition at The Millenium Galleries, Sheffield
navigation symbol The Women of the Messel Family
navigation symbol Mary Ann Herapath 1822-1895
navigation symbol Marion Sambourne 1851-1914
navigation symbol Maud Messel 1875-1960
navigation symbol Anne, 6th Countess of Rosse 1902-1992
navigation symbol Susan, Viscountess de Vesci 1927-1986
navigation symbol Alison, 7th Countess of Rosse 1939-
navigation symbol Anna, Lady Oxmantown
navigation symbol Themes
navigation symbol Further Reading
 
 
Previous introduction Next

  Maud Messel 1875-1960

Third Generation

Maud Messel c1905. ©The Messel Collection at Nymans Gardens, The National Trust.
Maud Messel c1905. ©The Messel Collection at Nymans Gardens, The National Trust.

'Wonderfully Picturesque'

Maud Messel (née Sambourne) began her long and happy married life with the stockbroker and collector Leonard Messel in 1898. Her marriage lifted Maud into wealthier upper-middle class society. Her three children, Linley, Anne and Oliver, were born between 1899 and 1904.

Maud entertained friends from the world of art, connoisseurship and business at her home in Lancaster Gate, London. In Sussex, first at Balcombe House and then at Nymans, she organised an Embroidery Guild, fancy dress balls and revived the May Day Pageant at Staplefield. She also created a local Shakespearean drama group, making the costumes herself.

Maud's delicate beauty and petite figure hid her determined character. Her romantic fashions and homes, her collecting and gardening interests, were all influenced by mediaeval to early nineteenth-century design.

Maud believed she was descended from the late eighteenth-century classical singer Elizabeth Linley, whose dress style influenced Maud's own fashion and fancy dress choices. More than 200 of Maud's fashionable garments and accessories survive and form the majority of the Messel Dress Collection at Brighton Museum & Art Gallery.

 
Previous introduction Next
 



A A A